Tag Archives: Nile

Hair is Vegetation in Ancient Egypt.


Mourners with tears falling from their eyes (water) and hair on both sides of the face (vegetation). The image could be a metaphor of the Egyptian landscape, made up by the Nile and the both shores of the river. Painting from the tomb of Ramose in Gourna. XVIII Dynasty. Photo: Mª Rosa Valdesogo Martín.

Mourners with tears falling from their eyes (water) and hair at both sides of the face (vegetation). The image could be a metaphor of the Egyptian landscape, made up by the Nile and the both banks of the river. Painting from the tomb of Ramose in Gourna. XVIII Dynasty. Photo: Mª Rosa Valdesogo Martín.

The connection of hair with nature is not only in its assimilation with water. The Egyptian funerary texts show hair Snw of Isis and Nephtys as an image of both banks of the Nile. According to Pausanias the tears dropping from the eyes of Isis were like the water in the riverbed, so the two mops of hair at both sides of the face could be considered as the vegetation on each bank of the Nile.

For reinforcing this idea we have the Egyptian language, which designates the vegetation as “the hair of the earth” el pelo de la tierraand considers a land with no plants as a “bald land”la tierra calva; therefore the hair is clearly in Egyptian belief identified with the vegetation. The two mourners’ pieces of hair/vegetation would be a metaphoric image of the two banks of the river.

From the natural point of view, we would be here facing a second seasonal step of the Egyptian calendar. The hair sm3 is a symbolic image of the inundation, that happens in the first season of akhet, while the hair Snw is referring to the plants, so the second season of peret. The growing of the plants is a natural rebirth, so making the nwn gesture and throwing the hair assimilated to the vegetation could be understood as a way of transferring the living force to the corpse; in the funerary dimension this would be a way of contributing to the mummy’s resurrection.

The Hair symbolises the Vegetation in Ancient Egypt.


If tears are identified with the water and the flood, could we then think of the hair as the shores and the vegetation? If so, we would have a very symbolic image of Egypt: the tears drooping from the eyes would be like the Nile, while the hair at both sides of the face would be both banks of the river.

Mourners with tears falling from their eyes (water) and hair on both sides of the face (vegetation). The image could be a metaphor of the Egyptian landscape, made up by the Nile and the both shores of the river. Painting from the tomb of Ramose in Gourna. XVIII Dynasty. Photo: Mª Rosa Valdesogo Martín.

Mourners with tears falling from their eyes (water) and hair on both sides of the face (vegetation). The image could be a metaphor of the Egyptian landscape, made up by the Nile and the both shores of the river. Painting from the tomb of Ramose in Gourna. XVIII Dynasty. Photo: Mª Rosa Valdesogo Martín.

At that point it is meaningful the fact that in Egyptian the expression for “vegetation” was « the hair of the earth ».

el pelo de la tierra

In chapters 168 and 562 of the Coffin Texts both banks of the river are considered as the manes shenu of Isis and Nephtys[1]. Chapter 168 says :

 « Join both banks. The hair of Isis is tied to the hair of Nephtys (and) vice versa.atar pelo de Isis y NeftisFluids[2] have no boat. River is dry. Geb has taken the water up. Both hands of Smsw are united over the lungs of Both Ladies »

In chapter 562 we also read:

« The hair of Isis is united to the mane of Nephtys …The West bank joins the East bank. Both united when they were separated. Then I passed across…I reunited with both sisters, they do not suffer anymore… »

 To unite both hairs shenu means to get both banks together, and that would allow the dead to pass to the Hereafter without needing any boat. The hair of Isis and Nephtys was a means for getting the resurrection.

But we can move a step forward. The union of both shores symbolised the reconciliation of the two sisters. According to a version of the legend, Osiris cheated on Isis with her sister Nephtys, of which union Anubis was born. Obviously that caused discord between both sisters; in the symbolic dimension the union of both manes was the end of the discord, as we can read in Book of the Dead: “Pray Osiris …both shores are reconciled…he has caught aversion from their hearts for you, they hug each other[3].

It is also interesting to indicate that in chapter 167 of Coffin Texts the mourners give their hair sema , while in the following 168 the hair shenu of Isis and Nephtys get tied, so we could wonder if they are two successive acts or one same gesture means two different actions.

The Papyrus Salt 825 in the British Museum (from the Late Period) contents the rites for preserve the life[4], which were a group of practices made during the month of Thot[5], and we can read in it:

(I,1) “The night is not lighter[6] and the day does not exist[7]. One mourning is made twice in the sky and in the earth (I,2) Gods and goddesses put their hands over their heads, the earth is devastated (I,3) the sun does not rise and the moon is late, it does not exist. The Nun staggers ;(I,4) the earth frets; the river is not navigable anymore. (I,5)…Listen. Everybody is moaning and crying. The souls, (I,6) the gods, the goddesses, people, the Akhu, the dead ones, small animals (I,7) and big ones, the… cry, cry so much,…” [8].

For the expression “the earth is devastated” the scribe wrote:

la tierra calvaThe verb fk means « be bald »[9]. The wasteland is an earth without hair. The absence of hair is a parallel of the absence of herb[10]. So, the hair shenu of Isis and Nepthys could easily be assimilated to the vegetation.

Life and death in Ancient Egypt were made conditional to nature and the seasons. The inundation that extended the mud all over the land and fertilised it, made possible the vegetation to grow up once the water retired. That was during peret, the season of sowing. If the hair element was before related to water, now it is linked to plants as the result of the fertilization of the land thanks to the regenerating waters.

The funerary cult is usually influenced by the cult to fertility and the “sacrifices and/or offers to the ancestral souls are taken from agricultural rites”[11]. The Osiris rite is an agricultural and lunar ritual, where lunar cycle and agrarian rites are mixed. As the moon does, the plants also have a cycle of birth, growing, death and resurrection. Cyclic also are the seasons (from drought to fertility). Moon, plants and seasons are cyclic; for that reason in Egyptian religion the lunar divinities are also vegetation gods.

In Ancient Egypt there were three seasons: akhet (inundation), peret (sowing) and shemu (harvest). The Egyptian year stated with the flooding of the Nile and the first month of akhet was tekh emborracharse, word which meant « get drunk ». Inebriation and inundation together makes us think of concepts as chaos and orgy and also of the disorder of the hair sema, since the verb tekhtekh estar desgreñado(duplication of tekh) means “to dishevel”[12]. At the end of the akhet season (in the month of Khoiak) took place the festival for Osiris.

Osiris, the mutilated god, came back to life in his shape of moon and in his shape of plant, so both cases were perfect images of resurrection. In those rites first some grains were put into moulds with the shape of the mummy of Osiris, where those grains would become plants. The 23rd of that moth took place a ceremony symbolizing the search and collection of the pieces of the corpse of Osiris and the embalming made by Anubis in the Golden House, which was also the place where the « Ceremony of the Opening of the Mouth » was carried out. According to some documents of Middle and New Kingdom, the 23rd day on Khoiak month was also called the day of the “Great Mourning”. The night of 25th took place the Lamentations of Isis and Nephtys, songs which read aloud the women representing the two goddesses. Just after that mourning rite, in the sunrise of 26th, was the resurrection of Osiris.

So, the akhet season started with the inebriation, the disorder, the chaos, and the primeval waters and finished with the fertilisation of the land, the end of the darkness and the resurrection of Osiris after a Mourning Rite made by Isis and Nephtys.

The hair of Isis and Nepthys had a role related to the cycle of life: first the sema is identified with the water, the inundation, the Nun, as a receptacle of regenerating principles; afterwards the hair shenu is assimilated to vegetation, as the product of the creation and as a manifestation of life. This would explain succession of chapters 167 and 168 in the Coffin Texts.

Once again hair is an element related to life; although we have seen now two different terms (first sema and then shenu) we are not moving away from the funerary and mourning context. The verb sheni means « suffer » and related to it is the name of the goddess Shentayt[13]. This divinity, which is documented from XIX dynasty, was assimilated to Isis as a mourner and widow of Osiris and appears in funerary rites of regeneration and purification oh him[14].


[1] Vegetation grows up on shores

[2] Mention to the putrefied Osiris corpse.

[3] BD, 183.

[4] Derchain, 1964.

[5] When the ceremony took place there also were some other funerary festivities (Derchain, 1964, p. 63).

[6] The moonlight does not illuminate.

[7] Darkness caused by the death.

[8] Derchain, 1964, p. 137.

[9] Wb I, 579.

[10] In agricultural people the growing of the hair is linked to the image of the growing of alimentary plants; and the same idea of growing up is related to the idea of rise. (Chevalier et Gheerbrandt, 1969, p.369).

[11] Elíade, 1970, p. 297.

[12] Wb V, 328, 8.

[13] Wb IV, 518, 3.

[14] Cauville, 1981, pp. 21-40.

The Hair as a Symbol of Water in Ancient Egypt: The Hair is the Primeval Water.


In 1964 D. Bonneau assimilated the hair of Isis with the rise of the Nile due to the bushes of papyrus floating on it[1]. According to her, “in the ancient Egyptian tradition the manes of the gods were bushes of papyrus”[2] and the locks of hair are the vegetable fibres that content the first rise and announce the flooding of the river. For that reason D. Bonneau assured that usually the hair was united to gods related to the flood of the Nile[3]. That also would explain why in decoration the water was always coloured in green with black waves or why the hieroglyph of water were usually in black colour.

A boat is on a green water with black waves. Relief from the mastaba of Ti in Saqqara. VI Dynasty. Photo: Mª Rosa Valdesogo Martín

A boat is on a green water with black waves. Relief from the mastaba of Ti in Saqqara. VI Dynasty. Photo: Mª Rosa Valdesogo Martín

Hieroglyph of water in black colour. Coffin of the Middle Kingdom. Bahr el-Yussef Museum. Photo: Mª Rosa Valdesogo Martín

Hieroglyph of water in black colour. Coffin of the Middle Kingdom. Bahr el-Yussef Museum. Photo: Mª Rosa Valdesogo Martín

From the Old Kingdom we can see this relationship between hair and water. In the Pyramid texts of Pepi I we read that “…the hair of Pepi is the Nun…”[4] In fact, the hair is inseparable from the aquatic element, since in those parts where there were no papyri, Egyptians called “the hair of Isis” to coralline formations in the shores of Red Sea and the Indic Ocean[5].

We could then think of the hair as the water having the principles of the Creation and Renewing. The water of the flood has a magic power itself, as we can read in the magical Papyrus from Paris I, line 29. It is said how, for ensuring the effectiveness of the sacrifice of a cock, it was necessary “to go to a place where the Nile has already retired its water before nobody has step on it, or to a place dipped completely by the water of the Nile, or to a place flooded by the Nile in an accidental way [6]. According to these words it had to be a place soaked by those regenerating principles, which improved the magic. If the water had this magical power and was assimilated to the hair, it makes sense to think about a magical attribute of the hair.

It seems obvious the relationship in Ancient Egypt between the renovating rituals and the flooding, which was announced by Sothis, the brightest star that appeared  in the morning sky with the sun between the seventeenth and the nineteenth of July[7]. Sothis was for Egyptians «  the one who renovates the vegetation »[8] and she was assimilated to Isis: “Your sister Isis comes to you, happy with your love, you put her over your phallus, your semen goes up to her, sharp as Sothis, (like) Horus equipped coming out from you, like Horus who is in Sothis » [9]. The sexual aspect is very important and we consider it later.

Isis, assimilated to Sothis, announces with her hair the rise of the Nile, like the second one does appearing in the firmament. Isis is “the one who makes the Nile to increase and flow, the one who makes the Nile to get bigger in this season [10]. So, the mane of Isis would be a promise of resurrection, because would be the image of the water that creates and renovates. In the funerary rite it would emanate to the dead by means of the nwn gesture next to the corpse.  That would suppose a return to the Nun, the primeval waters where the first living went out from as the Nile permits the constant renovation of the Egyptian life. To shake the hair onwards would be then the announcement of a new creation, like the presence of Sothis means the beginning of the flood and the New Year.

Nile fertilising the land of Egypt near of Al-Minya. Photo: Mª Rosa Valdesogo Martín

Nile fertilising the land of Egypt near Al-Minya. Photo: Mª Rosa Valdesogo Martín

Many years ago S. Mayassis already studied the meaning of hair in Egyptian believing[11]. According to him, the hair was a synonym of power[12] and Isis covered her face with her mane to get profit of its own force and allow also the others to do the same thing[13]. S. Mayassis considered also to untie the hair was a way of putting the magical power of the knot aside[14], so the force of the hair was set out and joined the person[15].

Certainly the hair constitutes an element of power and vigour, but Mayassis did not mention that the power of the Isis’ mane is because its assimilation with the renovating water of the flood. That would explain the nwn gesture done by mourners in funerals was a revitalising gesture, that brings backs the dead to the Nun, for bringing him back to life, since he is “the one who has been created in the Nun [16].

In the month of Khoiak, the fourth month of the season Akhet (Inundation), took place the Mysteries of Osiris, a group of rites recalling the Osiris Myth[17]. In all these rites the mourning had a relevant place; women representing Isis and Nephtys were mourning at the moment of making the figurine of Osiris with earth and cereal[18], which grow up as a symbol of life and resurrection.  In the festivity of Osiris, the two representatives of Isis and Nephtys recited aloud a sacred song of mourning the twenty-fifth day of the Khoiak month just before the Osiris resurrection[19]. Lamentation would be the prelude of the new life for Osiris, also evident with the rise of the Nile[20]; in the funeral the meaning of that mourning would be the same.

On the other hand, Pausanias said how the tears of Isis were considered as the flood of the Nile: “Egyptians say that Isis weeps for Osiris when the river starts increasing; and when it floods the fields, they say that it is Isis’ tears[21]. Once the Nile started its rise, Egyptians celebrated the Festival of Isis; she, as mourner of Osiris, caused with her tears the increase of the water level of the Nile[22]. In fact, in the Songs of Isis and Nephtys, when they mourn we read: “I am Isis I flood the land in that day[23].

Tears (in Ancient Egyptian rmit) had in Egyptian mythology a strong creation power, because mankind (rmT) issued from tears[24].  According to a legend dating from XII Dynasty, the god Re sent one of their two eyes for fighting against his enemy Apophis. That eye was taking a long time to come back, so it was replaced by another one.  When the eye of Re came back from the battle and saw another one in his place he became very upset. This eye started crying and people came from its tears. For consoling the sorrow Re turned it into the ureus and put it on his forehead.

Amehotep I with the ureus in his forehead. Painting from the tomb of Inerkha in Deir el-Medina. Altes Museum of Berlin. XX Dynasty. Photo: Mª Rosa Valdesogo Martín

Amehotep I with the ureus in his forehead. Painting from the tomb of Inerkha in Deir el-Medina. Altes Museum of Berlin. XX Dynasty. Photo: Mª Rosa Valdesogo Martín

According to B. Mathieu “to come out from the eye” (pr m irt) is an Egyptian expression for referring to the weeping and he emphasizes the fact that mankind appears from a sorrow[25]. The eye and the humidity coming out from it (tears) have the power of giving life: “He has opened his eyes in the moment he was going out from the Nun. All these things have come to existence from his eyes”[26]. That would explain such an important role of the mourners during the funerary rite; they shed their tears with regenerating power that will help in the resurrection of the dead. We need also to notice the importance of the eye as a beneficial organ for the regeneration of the deceased (we will see it in another post).

In chapter 674 of the Coffin texts we could already read how “the water is the hair sema of Mht over you”. Water and Inundation are vital elements par excellence in Egyptian mythology. Water has always a negative and a positive aspect, because for renovating it is needed first a destruction. If the hair sema is like the water, that one will also have a double value: it will be at the same time image of chaos and of new life.

For that reason, we could think that the nwn gesture, depending on in which moment of the funeral it would be made, it could refer on one hand to the sorrow for the dead and the chaos of the death, and on the other hand to the rebirth and a the new creation. Mourners could shake their hair onwards as a sign of despair but also as an image of the primeval and chaotic water, which have the power of giving life and create.


[1] Bonneau, 1964, p. 259.

[2] Bonneau, 1964, p. 260.

[3] Bonneau, 1964, p. 260, n. 9.

[4] Budge,  1969, p. 109. This same assimilation of hair and Nun appears in the papyri of Ani and Un.

[5] “Juba relates that near of Trogloditas Islands a brush grew up in deep down in the sea called “hair of Isis”, without leaves and similar to coral” (Pliny the Elder, Natural History,  XIII, 51)

[6] Bonneau, 1964, p. 285.

[7] Bonneau, 1964, p. 263.

[8] Pyr. 477.

[9] Pyr. 632.

[10] Budge, 1973, p. 278.

[11] Mayassis, 1955.

[12] Mayassis, 1955, p. 354.

[13] Mayassis, 1955, pp. 354 y 362.

[14] Mayassis, 1955, p. 356.

[15] Mayassis, 1955, p. 362.

[16] CT, 544.

[17] That also shows the relationship between Osiris and the water.

[18] Guglielmi, 1980, p.80.

[19] Gaballa and Kitchen, 1969, p.45.

[20] Kees, 1956, p. 354.

[21] Pausanias, De Phocicis,  X, 32,10.

[22] Frazer, 1914, Third Ed., p. 33.

[23] Canciones…,3,16.

[24] Guglielmi, 1980, p. 82.

[25] Mathieu, 1986, p. 500.

[26] Fragment on the South facade of the temple of Hathor in Dendera (el-Kordy, 1982, p. 203).